Three Kings (extended mix)
30s preview
- BPM
- 128
- Open Key
- 10d
- Energy
- 74/100
- Pop
- 11/100
- Length
- 3:41
- Released
- 2021
- Genre
- Progressive Trance
- Loudness
- -8.9 dB
- Dynamics
- 8.8 dB
- ISRC
- GBEWA2101375
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo progressive trance cut, Three Kings (extended mix) sits in E♭ major (5B) at 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 99% of Ilan Bluestone's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 93% of Ilan Bluestone's catalogue
- Low end:
- more bass-heavy than 90% of Ilan Bluestone's catalogue
- Tempo:
- slower than 81% of Ilan Bluestone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Three Kings (extended mix) in?
Three Kings (extended mix) by Ilan Bluestone is in E♭ major, or 5B on the Camelot wheel.
What BPM is Three Kings (extended mix)?
Three Kings (extended mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Three Kings (extended mix)?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Three Kings (extended mix) good for peak time?
With energy 74 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 128 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Ilan Bluestone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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