Made Of Fire (original mix)
30s preview
- Key
- 9A · E minor
- BPM
- 128
- Open Key
- 2m
- Energy
- 74/100
- Pop
- 9/100
- Length
- 3:56
- Released
- 2016
- Genre
- Progressive Trance
- Loudness
- -6.9 dB
- Dynamics
- 15.3 dB
- ISRC
- GBEWA1601011
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Made Of Fire (original mix) runs 128 BPM in E minor (9A), a peak-time tempo progressive trance record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. Slower than 88% of Maor Levi's catalogue.
- Energy:
- calmer than 85% of Maor Levi's catalogue
- Groove:
- less groove-driven than 83% of Maor Levi's catalogue
- Reach:
- better known than 77% of Maor Levi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Made Of Fire (original mix) in?
Made Of Fire (original mix) by Maor Levi is in E minor, or 9A on the Camelot wheel.
What BPM is Made Of Fire (original mix)?
Made Of Fire (original mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Made Of Fire (original mix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Made Of Fire (original mix) good for peak time?
With energy 74 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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