Destino (Aaron Camz Remix)
- Key
- 7B · F major
- BPM
- 128
- Open Key
- 12d
- Energy
- 74/100
- Pop
- 0/100
- Length
- 5:04
- Released
- 2014
- Album
- Destino
- Genre
- Trance
- Loudness
- -4.8 dB
- ISRC
- USA2P1423092
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Destinooriginal7A · 128
- Destinooriginal9B · 128
- Destino (Extended Mix)version6B · 128
Against the original (7A at 128 BPM), this version holds the same tempo and moves the key from 7A to 7B.
A peak-time tempo trance cut, Destino (Aaron Camz Remix) sits in F major (7B) at 128 BPM. It reads as punchy, neutral in mood. The master is loud and heavily compressed. A 2014 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 96% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
- Groove:
- groovier than 76% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Destino (Aaron Camz Remix) in?
Destino (Aaron Camz Remix) by Markus Schulz is in F major, or 7B on the Camelot wheel.
What BPM is Destino (Aaron Camz Remix)?
Destino (Aaron Camz Remix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Destino (Aaron Camz Remix)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Destino (Aaron Camz Remix) good for peak time?
With energy 74 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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