Symmetries by Paul van Dyk cover art

Symmetries

Paul van Dyk

30s preview

Key
12B · E major
BPM
128
Open Key
5d
Energy
74/100
Pop
19/100
Length
5:41
Released
2012
Album
Evolution
Genre
Trance
Loudness
-8.9 dB
Dynamics
17.9 dB
ISRC
DEQ691200001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Symmetries: peak-time tempo trance, E major (12B), 128 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 2012 production that still circulates in sets. Slower than 94% of Paul van Dyk's catalogue.

Low end:
more treble-tilted than 93% of Paul van Dyk's catalogue
Reach:
better known than 84% of Paul van Dyk's catalogue
Energy:
calmer than 77% of Paul van Dyk's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood38Balanced
Groove69
Acoustic1
Instrumental78
Live12
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Symmetries in?

Symmetries by Paul van Dyk is in E major, or 12B on the Camelot wheel.

What BPM is Symmetries?

Symmetries runs at 128 BPM, a peak-time tempo track.

What mixes well with Symmetries?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Symmetries good for peak time?

With energy 74 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#TrackKey·BPM

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 128 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More trance

More from Paul van Dyk

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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