Big Wheel - Electronic Architecture Mix
- BPM
- 128
- Open Key
- 5m
- Energy
- 71/100
- Pop
- 0/100
- Length
- 9:08
- Released
- 2011
- Album
- Big Wheel
- Genre
- Trance
- Loudness
- -10.1 dB
- ISRC
- GBHCD1104045
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Big Wheel - Electronic Architecture 2 Dubversion1A · 128
- Big Wheel - Solarstone presents Smashing Atoms Dub Mixversion11B · 132
- Big Wheel - Solarstone presents Smashing Atoms Mixoriginal3B · 132
- Big Wheel - Ambient Dubversion12A · 180
At 128 BPM in D♭ minor (12A), Big Wheel - Electronic Architecture Mix is a peak-time tempo trance production. Tonally it lands dark and driving. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Solarstone's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 85% of Solarstone's catalogue
- Energy:
- calmer than 81% of Solarstone's catalogue
- Groove:
- groovier than 79% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Big Wheel - Electronic Architecture Mix in?
Big Wheel - Electronic Architecture Mix by Solarstone is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Big Wheel - Electronic Architecture Mix?
Big Wheel - Electronic Architecture Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Big Wheel - Electronic Architecture Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Big Wheel - Electronic Architecture Mix good for peak time?
With energy 71 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![Revolution (feat. Chris Madin) [Remember The Revolution Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Solarstone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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