Something Real - Sem Vox Remix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 72/100
- Pop
- 0/100
- Length
- 3:15
- Released
- 2019
- Album
- Something Real (Remixes)
- Genre
- Trance
- Loudness
- -4.3 dB
- Dynamics
- 11.7 dB
- ISRC
- NLF711908883
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Something Real - Cosmic Gate Remixremix3A · 128
- Something Real - Cosmic Gate Extended Remixremix2B · 128
- Something Real - Acoustic Versionoriginal3B · 120
- Something Realoriginal3B · 128
- Something Real (Extended Mix)version3B · 128
- Something Real - Giuseppe Ottaviani Remixremix3B · 138
Against the original (3B at 128 BPM), this version holds the same tempo in the same key.
Something Real - Sem Vox Remix: peak-time tempo trance, D♭ major (3B), 128 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Armin van Buuren's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 86% of Armin van Buuren's catalogue
- Energy:
- calmer than 83% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Something Real - Sem Vox Remix in?
Something Real - Sem Vox Remix by Armin van Buuren is in D♭ major, or 3B on the Camelot wheel.
What BPM is Something Real - Sem Vox Remix?
Something Real - Sem Vox Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Something Real - Sem Vox Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Something Real - Sem Vox Remix good for peak time?
With energy 72 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
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More from Armin van Buuren
Full profile
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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