![Not Alone [Listener's Choice] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02912c2f48f0ffedf3143c31e3)
Not Alone [Listener's Choice]
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 77/100
- Pop
- 0/100
- Length
- 5:06
- Released
- 2016
- Album
- Corsten's Countdown 459
- Genre
- Trance
- Loudness
- -6.9 dB
- ISRC
- NLD681600950
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Not Aloneoriginal8A · 128
A peak-time tempo trance cut, Not Alone [Listener's Choice] sits in A minor (8A) at 128 BPM. It reads as dark and driving. The groove is strong and floor-ready. It is vocal-led. A 2016 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 95% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Not Alone [Listener's Choice] in?
Not Alone [Listener's Choice] by Ferry Corsten is in A minor, or 8A on the Camelot wheel.
What BPM is Not Alone [Listener's Choice]?
Not Alone [Listener's Choice] runs at 128 BPM, a peak-time tempo track.
What mixes well with Not Alone [Listener's Choice]?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Not Alone [Listener's Choice] good for peak time?
With energy 77 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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