The Dream - Club Mix
- Key
- 7B · F major
- BPM
- 130
- Open Key
- 12d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 6:06
- Released
- 2011
- Album
- The Dream
- Genre
- Trance
- Loudness
- -7.6 dB
- ISRC
- NLE711114331
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Dream - Radio Editversion7B · 130
- The Dream - Jason van Wyk Remixremix7A · 130
- The Dream - Jquintel, Jeziel Quintela & Manufactured Superstars Remixremix5A · 128
- The Dream - Radio Editversion7B · 130
- The Dream - Rafaël Frost Remixremix6B · 132
A peak-time tempo trance cut, The Dream - Club Mix sits in F major (7B) at 130 BPM. It is vocal-led. A 2011 production that still circulates in sets. More underground than 99% of John O'Callaghan's catalogue.
- Tempo:
- slower than 95% of John O'Callaghan's catalogue
- Energy:
- calmer than 87% of John O'Callaghan's catalogue
- Groove:
- groovier than 77% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Dream - Club Mix in?
The Dream - Club Mix by John O'Callaghan is in F major, or 7B on the Camelot wheel.
What BPM is The Dream - Club Mix?
The Dream - Club Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with The Dream - Club Mix?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is The Dream - Club Mix good for peak time?
With energy 81 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 130 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
![Good Things Fall Apart (with Jon Bellion) [Tiësto's Big Room Remix] by Tiësto cover art](https://i.scdn.co/image/ab67616d00001e02cece16c31b74b5aa1cc25073){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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