Miami (extended mix)
30s preview
- Key
- 8B · C major
- BPM
- 130
- Open Key
- 1d
- Energy
- 82/100
- Pop
- 1/100
- Length
- 6:39
- Released
- 2011
- Genre
- Trance
- Loudness
- -9.3 dB
- Dynamics
- 18.0 dB
- ISRC
- NLF711101232
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Miami (extended mix) runs 130 BPM in C major (8B), a peak-time tempo trance record. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 2011 production that still circulates in sets. Less groove-driven than 90% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 89% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Miami (extended mix) in?
Miami (extended mix) by Markus Schulz is in C major, or 8B on the Camelot wheel.
What BPM is Miami (extended mix)?
Miami (extended mix) runs at 130 BPM, a peak-time tempo track.
What mixes well with Miami (extended mix)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Miami (extended mix) good for peak time?
With energy 82 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Dancing in the Red Light [Amsterdam] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02b36f86e362a0287e5d5de26a){kind=small}
![Love Rain Down (feat. Seri) [Harry Square Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
How to mix it
In 8B at 130 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Golden Gate [San Francisco] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e022801aca3651133dfe847ba7c){kind=small}
![Edge of Life [Mix Cut] by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e029c97e38349ebafeed8d5aff3){kind=small}
More trance
![Good Things Fall Apart (with Jon Bellion) [Tiësto's Big Room Remix] by Tiësto cover art](https://i.scdn.co/image/ab67616d00001e02cece16c31b74b5aa1cc25073){kind=small}
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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