The Space Track - Andrew Rayel Stadium Remix
30s preview
- Key
- 1B · B major
- BPM
- 130
- Open Key
- 6d
- Energy
- 82/100
- Pop
- 3/100
- Length
- 7:17
- Released
- 2012
- Album
- The Space Track (Andrew Rayel Stadium Remix)
- Genre
- Trance
- Loudness
- -6.6 dB
- Dynamics
- 10.9 dB
- ISRC
- NLE711299901
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo trance cut, The Space Track - Andrew Rayel Stadium Remix sits in B major (1B) at 130 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. Calmer than 80% of Andrew Rayel's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 79% of Andrew Rayel's catalogue
- Low end:
- more bass-heavy than 78% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is The Space Track - Andrew Rayel Stadium Remix in?
The Space Track - Andrew Rayel Stadium Remix by Andrew Rayel is in B major, or 1B on the Camelot wheel.
What BPM is The Space Track - Andrew Rayel Stadium Remix?
The Space Track - Andrew Rayel Stadium Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with The Space Track - Andrew Rayel Stadium Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is The Space Track - Andrew Rayel Stadium Remix good for peak time?
With energy 82 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 130 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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