Dancing In The Key Of Life - M.I.K.E. Push Remix
30s preview
- BPM
- 130
- Open Key
- 6m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2014
- Album
- Dancing in the Key of Life (Remixes)
- Genre
- Trance
- Loudness
- -7.1 dB
- Dynamics
- 12.9 dB
- ISRC
- USA2P1438444
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dancing In The Key Of Lifeoriginal3A · 128
- Dancing In The Key Of Life - Michael Gin Remixremix2B · 124
Against the original (3A at 128 BPM), this version runs 2 BPM faster and moves the key from 3A to 1A.
At 130 BPM in A♭ minor (1A), Dancing In The Key Of Life - M.I.K.E. Push Remix is a peak-time tempo trance production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Dancing In The Key Of Life - M.I.K.E. Push Remix in?
Dancing In The Key Of Life - M.I.K.E. Push Remix by Markus Schulz is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Dancing In The Key Of Life - M.I.K.E. Push Remix?
Dancing In The Key Of Life - M.I.K.E. Push Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Dancing In The Key Of Life - M.I.K.E. Push Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Dancing In The Key Of Life - M.I.K.E. Push Remix good for peak time?
With energy 88 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 130 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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