Sunny Days (Mix Cut) - Club Mix
30s preview
- Key
- 9A · E minor
- BPM
- 130
- Open Key
- 2m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 5:10
- Released
- 2025
- Album
- ASOT 1226 - A State of Trance Episode 1226 [Including A State Of Trance, Ibiza 2017 (Mixed by Armin van Buuren)]
- Genre
- Trance
- Loudness
- -7.0 dB
- Dynamics
- 10.9 dB
- ISRC
- NLF711707932
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sunny Days - PureNRG Remixremix9B · 138
- Sunny Days - Mike Hawkins Remixremix9A · 128
- Sunny Days (Mix Cut)original1A · 130
- Sunny Days - Tech Mixoriginal9A · 128
- Sunny Daysoriginal9B · 115
- Sunny Days (feat. Josh Cumbee) - Ryan Riback Remixremix9B · 109
Against the original (1A at 130 BPM), this version holds the same tempo and moves the key from 1A to 9A.
Sunny Days (Mix Cut) - Club Mix runs 130 BPM in E minor (9A), a peak-time tempo trance record. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Armin van Buuren's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Sunny Days (Mix Cut) - Club Mix in?
Sunny Days (Mix Cut) - Club Mix by Armin van Buuren is in E minor, or 9A on the Camelot wheel.
What BPM is Sunny Days (Mix Cut) - Club Mix?
Sunny Days (Mix Cut) - Club Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Sunny Days (Mix Cut) - Club Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Sunny Days (Mix Cut) - Club Mix good for peak time?
With energy 87 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
![Slowmotion III [Mix Cut] by Solarstone cover art](https://i.scdn.co/image/ab67616d00001e02f38a6821eebea9c8f40aa7ec){kind=small}
How to mix it
In 9A at 130 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![All Your Colours [Mix Cut] - Andrew Rayel Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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