
Sunny Days (Mix Cut)
30s preview
- BPM
- 130
- Open Key
- 6m
- Energy
- 57/100
- Pop
- 0/100
- Length
- 1:32
- Released
- 2025
- Album
- ASOT 1210 - A State of Trance Episode 1210 [Live at F1 Chinese Grand Prix 2018 (Garage Set) [Shanghai, China]]
- Genre
- Trance
- Loudness
- -12.9 dB
- Dynamics
- 12.5 dB
- ISRC
- NLF711804971
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sunny Days - PureNRG Remixremix9B · 138
- Sunny Days - Mike Hawkins Remixremix9A · 128
- Sunny Days (Mix Cut) - Club Mixversion9A · 130
- Sunny Days - Tech Mixoriginal9A · 128
- Sunny Daysoriginal9B · 115
- Sunny Days (feat. Josh Cumbee) - Ryan Riback Remixremix9B · 109
Sunny Days (Mix Cut): peak-time tempo trance, A♭ minor (1A), 130 BPM. The feel is dark and steady. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Armin van Buuren's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 93% of Armin van Buuren's catalogue
- Brightness:
- darker than 81% of Armin van Buuren's catalogue
- Groove:
- groovier than 78% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Sunny Days (Mix Cut) in?
Sunny Days (Mix Cut) by Armin van Buuren is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Sunny Days (Mix Cut)?
Sunny Days (Mix Cut) runs at 130 BPM, a peak-time tempo track.
What mixes well with Sunny Days (Mix Cut)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Sunny Days (Mix Cut) good for peak time?
With energy 57 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 130 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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