Last Night a DJ Saved My Night - Moshic Remix
- BPM
- 130
- Open Key
- 3d
- Energy
- 59/100
- Pop
- 1/100
- Length
- 8:44
- Released
- 2011
- Album
- Nine Lives - The Remixes
- Genre
- Trance
- Loudness
- -9.7 dB
- ISRC
- GBCDK1102036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Last Night a DJ Saved My Night - Relaunch Remixremix4B · 130
- Last Night A DJ Saved My Night - Ambient Mixoriginal7A · 138
- Last Night a DJ Saved My Night - Original Mixoriginal10B · 138
- Last Night a DJ Saved My Night - Dyno Remixremix9B · 138
Against the original (7A at 138 BPM), this version runs 8 BPM slower and moves the key from 7A to 10B.
Last Night a DJ Saved My Night - Moshic Remix: peak-time tempo trance, D major (10B), 130 BPM. It reads as dark and steady. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. Calmer than 91% of John 00 Fleming's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 80% of John 00 Fleming's catalogue
- Brightness:
- darker than 77% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Last Night a DJ Saved My Night - Moshic Remix in?
Last Night a DJ Saved My Night - Moshic Remix by John 00 Fleming is in D major, or 10B on the Camelot wheel.
What BPM is Last Night a DJ Saved My Night - Moshic Remix?
Last Night a DJ Saved My Night - Moshic Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Last Night a DJ Saved My Night - Moshic Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Last Night a DJ Saved My Night - Moshic Remix good for peak time?
With energy 59 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
![Love Is Not Enough [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Love Is Not Enough - feat. Zoë Johnston [Radio Edit] by Above & Beyond cover art](https://i.scdn.co/image/ab67616d00001e025cb8ec171dfb3e386642c13f){kind=small}
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