Love Is Not Enough - feat. Zoë Johnston [Radio Edit]
30s preview
- BPM
- 130
- Open Key
- 8d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 4:18
- Released
- 2011
- Album
- Love Is Not Enough (feat. Zoë Johnston)
- Genre
- Progressive Trance
- Loudness
- -8.5 dB
- Dynamics
- 13.3 dB
- ISRC
- GBEWA1101215
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Is Not Enough - Hybrid Minds Remixremix3A · 174
- Love Is Not Enoughoriginal3B · 130
- Love Is Not Enough - Fatum Remixremix3A · 128
- Love Is Not Enough - Above & Beyond Club Mixversion3A · 130
- Love Is Not Enough - Fatum Extended Mixversion3B · 128
- Love Is Not Enough - Kaskade Remixremix3A · 128
Against the original (3B at 130 BPM), this version holds the same tempo in the same key.
Love Is Not Enough - feat. Zoë Johnston [Radio Edit] is a peak-time tempo progressive trance track in D♭ major (3B) at 130 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Love Is Not Enough - feat. Zoë Johnston [Radio Edit] in?
Love Is Not Enough - feat. Zoë Johnston [Radio Edit] by Above & Beyond is in D♭ major, or 3B on the Camelot wheel.
What BPM is Love Is Not Enough - feat. Zoë Johnston [Radio Edit]?
Love Is Not Enough - feat. Zoë Johnston [Radio Edit] runs at 130 BPM, a peak-time tempo track.
What mixes well with Love Is Not Enough - feat. Zoë Johnston [Radio Edit]?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Love Is Not Enough - feat. Zoë Johnston [Radio Edit] good for peak time?
With energy 62 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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