Sticks & Stones - Audien Remix
30s preview
- BPM
- 130
- Open Key
- 8m
- Energy
- 64/100
- Pop
- 3/100
- Length
- 7:55
- Released
- 2010
- Album
- Sticks & Stones
- Genre
- Trance
- Loudness
- -11.4 dB
- Dynamics
- 15.6 dB
- ISRC
- GBKQU1025366
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sticks & Stones - Original Mixoriginal10A · 138
- Sticks & Stones - Beat Service Remixremix3A · 132
Against the original (10A at 138 BPM), this version runs 8 BPM slower and moves the key from 10A to 3A.
Sticks & Stones - Audien Remix is a peak-time tempo trance track in B♭ minor (3A) at 130 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2010 production that still circulates in sets. Calmer than 98% of Daniel Kandi's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 92% of Daniel Kandi's catalogue
- Groove:
- groovier than 89% of Daniel Kandi's catalogue
- Low end:
- more treble-tilted than 81% of Daniel Kandi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Sticks & Stones - Audien Remix in?
Sticks & Stones - Audien Remix by Daniel Kandi is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Sticks & Stones - Audien Remix?
Sticks & Stones - Audien Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Sticks & Stones - Audien Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Sticks & Stones - Audien Remix good for peak time?
With energy 64 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
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How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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