You Got to Believe
- BPM
- 130
- Open Key
- 10d
- Energy
- 63/100
- Pop
- 0/100
- Length
- 5:54
- Released
- 2011
- Album
- You Got To Believe
- Genre
- Progressive Trance
- Loudness
- -6.1 dB
- ISRC
- GBEWA1400200
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You Got to Believe runs 130 BPM in E♭ major (5B), a peak-time tempo progressive trance record. Tonally it lands dark and driving. It is vocal-led. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 78% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Got to Believe in?
You Got to Believe by Above & Beyond is in E♭ major, or 5B on the Camelot wheel.
What BPM is You Got to Believe?
You Got to Believe runs at 130 BPM, a peak-time tempo track.
What mixes well with You Got to Believe?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is You Got to Believe good for peak time?
With energy 63 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 130 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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