Indestructible - Extended Mix
30s preview
- BPM
- 130
- Open Key
- 7d
- Energy
- 60/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2020
- Album
- Indestructible
- Genre
- Trance
- Loudness
- -6.1 dB
- Dynamics
- 14.8 dB
- ISRC
- NLE712000085
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Indestructible - Original Mixoriginal2B · 130
Against the original (2B at 130 BPM), this version holds the same tempo in the same key.
At 130 BPM in F♯ major (2B), Indestructible - Extended Mix is a peak-time tempo trance production. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). More underground than 99% of Markus Schulz's catalogue.
- Energy:
- calmer than 91% of Markus Schulz's catalogue
- Groove:
- groovier than 89% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Indestructible - Extended Mix in?
Indestructible - Extended Mix by Markus Schulz is in F♯ major, or 2B on the Camelot wheel.
What BPM is Indestructible - Extended Mix?
Indestructible - Extended Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Indestructible - Extended Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Indestructible - Extended Mix good for peak time?
With energy 60 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
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How to mix it
In 2B at 130 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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