Noir (Ruben de Ronde the Sound of Holland remix)
- BPM
- 130
- Open Key
- 3m
- Energy
- 63/100
- Pop
- 0/100
- Length
- 6:01
- Released
- 2013
- Genre
- Progressive Trance
- Loudness
- -9.4 dB
- ISRC
- NLUQ61400146
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Noir (Ruben de Ronde the Sound of Holland remix) runs 130 BPM in B minor (10A), a peak-time tempo progressive trance record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of Ruben de Ronde's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 90% of Ruben de Ronde's catalogue
- Groove:
- groovier than 90% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Noir (Ruben de Ronde the Sound of Holland remix) in?
Noir (Ruben de Ronde the Sound of Holland remix) by Ruben de Ronde is in B minor, or 10A on the Camelot wheel.
What BPM is Noir (Ruben de Ronde the Sound of Holland remix)?
Noir (Ruben de Ronde the Sound of Holland remix) runs at 130 BPM, a peak-time tempo track.
What mixes well with Noir (Ruben de Ronde the Sound of Holland remix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Noir (Ruben de Ronde the Sound of Holland remix) good for peak time?
With energy 63 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
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How to mix it
In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
More from Ruben de Ronde
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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