![Cathedral [Montreal] (Mr. Pit Remix) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e027db7f1cbac5ecdd25c056347)
Cathedral [Montreal] (Mr. Pit Remix)
30s preview
- BPM
- 130
- Open Key
- 3d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 7:14
- Released
- 2016
- Album
- Global DJ Broadcast - Top 20 April 2016
- Genre
- Trance
- Loudness
- -8.8 dB
- Dynamics
- 10.6 dB
- ISRC
- NLD681600201
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Cathedral [Montreal] - Radio Editversion8A · 124
- Cathedral [Montreal]original8A · 124
Against the original (8A at 124 BPM), this version runs 6 BPM faster and moves the key from 8A to 10B.
Cathedral [Montreal] (Mr. Pit Remix) runs 130 BPM in D major (10B), a peak-time tempo trance record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 98% of Markus Schulz's catalogue
- Low end:
- more bass-heavy than 90% of Markus Schulz's catalogue
- Energy:
- calmer than 83% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Cathedral [Montreal] (Mr. Pit Remix) in?
Cathedral [Montreal] (Mr. Pit Remix) by Markus Schulz is in D major, or 10B on the Camelot wheel.
What BPM is Cathedral [Montreal] (Mr. Pit Remix)?
Cathedral [Montreal] (Mr. Pit Remix) runs at 130 BPM, a peak-time tempo track.
What mixes well with Cathedral [Montreal] (Mr. Pit Remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Cathedral [Montreal] (Mr. Pit Remix) good for peak time?
With energy 68 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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