![Cathedral [Montreal] - Radio Edit by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02ecc2fd742a61719ed8e4e85f)
Cathedral [Montreal] - Radio Edit
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 4:02
- Released
- 2015
- Album
- Cathedral [Montreal]
- Genre
- Trance
- Loudness
- -8.9 dB
- ISRC
- NLD681501754
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Cathedral [Montreal] (Mr. Pit Remix)remix10B · 130
- Cathedral [Montreal]original8A · 124
Against the original (8A at 124 BPM), this version holds the same tempo in the same key.
At 124 BPM in A minor (8A), Cathedral [Montreal] - Radio Edit is a club-tempo trance production. It reads as dark and driving. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 94% of Markus Schulz's catalogue
- Energy:
- calmer than 87% of Markus Schulz's catalogue
- Groove:
- groovier than 86% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Cathedral [Montreal] - Radio Edit in?
Cathedral [Montreal] - Radio Edit by Markus Schulz is in A minor, or 8A on the Camelot wheel.
What BPM is Cathedral [Montreal] - Radio Edit?
Cathedral [Montreal] - Radio Edit runs at 124 BPM, a club-tempo track.
What mixes well with Cathedral [Montreal] - Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Cathedral [Montreal] - Radio Edit good for peak time?
With energy 64 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.