At Long Last - Extended Mix
30s preview
- Key
- 7A · D minor
- BPM
- 123
- Open Key
- 12m
- Energy
- 64/100
- Pop
- 4/100
- Length
- 6:02
- Released
- 2021
- Album
- At Long Last
- Genre
- Trance
- Loudness
- -7.7 dB
- Dynamics
- 13.4 dB
- ISRC
- GBLV62122798
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- At Long Lastoriginal10B · 123
- At Long Last - Whoriskey Remixremix6B · 125
Against the original (10B at 123 BPM), this version holds the same tempo and moves the key from 10B to 7A.
A club-tempo trance cut, At Long Last - Extended Mix sits in D minor (7A) at 123 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Slower than 99% of Daniel Kandi's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 98% of Daniel Kandi's catalogue
- Groove:
- groovier than 92% of Daniel Kandi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is At Long Last - Extended Mix in?
At Long Last - Extended Mix by Daniel Kandi is in D minor, or 7A on the Camelot wheel.
What BPM is At Long Last - Extended Mix?
At Long Last - Extended Mix runs at 123 BPM, a club-tempo track.
What mixes well with At Long Last - Extended Mix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is At Long Last - Extended Mix good for peak time?
With energy 64 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
![Cathedral [Montreal] - Radio Edit by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02ecc2fd742a61719ed8e4e85f){kind=small}
How to mix it
In 7A at 123 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More trance
More from Daniel Kandi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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