All on Me - Dezza Extended Remix
30s preview
- Key
- 6A · G minor
- BPM
- 124
- Open Key
- 11m
- Energy
- 65/100
- Pop
- 1/100
- Length
- 4:46
- Released
- 2020
- Album
- All On Me (Remixes)
- Genre
- Trance
- Loudness
- -7.5 dB
- Dynamics
- 11.1 dB
- ISRC
- NLF712006100
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All On Meoriginal6A · 128
- All on Me - Acoustic Versionoriginal11B · 125
- All on Me - MOTi Remixremix6A · 126
- All On Me - Brennan Heart VIP Mixoriginal6A · 148
- All on Me (feat. Andreas Moe) - Brennan Heart Extended VIP Mixversion6A · 146
- All on Me (feat. Andreas Moe) - Extended Mixversion6A · 128
Against the original (6A at 128 BPM), this version runs 4 BPM slower in the same key.
All on Me - Dezza Extended Remix is a club-tempo trance track in G minor (6A) at 124 BPM. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Calmer than 89% of Armin van Buuren's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 86% of Armin van Buuren's catalogue
- Tempo:
- slower than 84% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is All on Me - Dezza Extended Remix in?
All on Me - Dezza Extended Remix by Armin van Buuren is in G minor, or 6A on the Camelot wheel.
What BPM is All on Me - Dezza Extended Remix?
All on Me - Dezza Extended Remix runs at 124 BPM, a club-tempo track.
What mixes well with All on Me - Dezza Extended Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is All on Me - Dezza Extended Remix good for peak time?
With energy 65 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 124 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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