All On Me - Brennan Heart VIP Mix
30s preview
- Key
- 6A · G minor
- BPM
- 148
- Half-time
- 74
- Open Key
- 11m
- Energy
- 78/100
- Pop
- 0/100
- Length
- 3:03
- Released
- 2020
- Album
- All On Me (Brennan Heart VIP Mix)
- Genre
- Trance
- Loudness
- -2.6 dB
- Dynamics
- 10.5 dB
- ISRC
- NLF712004396
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All On Meoriginal6A · 128
- All on Me - Acoustic Versionoriginal11B · 125
- All on Me - MOTi Remixremix6A · 126
- All on Me - Dezza Extended Remixremix6A · 124
- All on Me (feat. Andreas Moe) - Brennan Heart Extended VIP Mixversion6A · 146
- All on Me (feat. Andreas Moe) - Extended Mixversion6A · 128
Against the original (6A at 128 BPM), this version runs 20 BPM faster in the same key.
At 148 BPM in G minor (6A), All On Me - Brennan Heart VIP Mix is a fast trance production. It reads as punchy, neutral in mood. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. More underground than 99% of Armin van Buuren's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 94% of Armin van Buuren's catalogue
- Groove:
- less groove-driven than 94% of Armin van Buuren's catalogue
- Brightness:
- brighter than 86% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is All On Me - Brennan Heart VIP Mix in?
All On Me - Brennan Heart VIP Mix by Armin van Buuren is in G minor, or 6A on the Camelot wheel.
What BPM is All On Me - Brennan Heart VIP Mix?
All On Me - Brennan Heart VIP Mix runs at 148 BPM, a fast track.
What mixes well with All On Me - Brennan Heart VIP Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is All On Me - Brennan Heart VIP Mix good for peak time?
With energy 78 out of 100 at 148 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![Sweet Escape (ASOT 1232) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/812af214f092a983acf8.webp){kind=small}
How to mix it
In 6A at 148 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 139-157 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 148 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 148 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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