Boban (radio edit)
- Key
- 5A · C minor
- BPM
- 142
- Half-time
- 71
- Open Key
- 10m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 3:32
- Released
- 2012
- Genre
- Trance
- Loudness
- -6.5 dB
- ISRC
- NLF711203992
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Boban (radio edit) is a driving up-tempo trance track in C minor (5A) at 142 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. More underground than 99% of John O'Callaghan's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 95% of John O'Callaghan's catalogue
- Energy:
- hotter than 85% of John O'Callaghan's catalogue
- Brightness:
- brighter than 76% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Boban (radio edit) in?
Boban (radio edit) by John O'Callaghan is in C minor, or 5A on the Camelot wheel.
What BPM is Boban (radio edit)?
Boban (radio edit) runs at 142 BPM, a driving up-tempo track.
What mixes well with Boban (radio edit)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Boban (radio edit) good for peak time?
With energy 99 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 142 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More trance
More from John O'Callaghan
Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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