Rise Up
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 2:39
- Released
- 2025
- Genre
- Trance
- Loudness
- -5.1 dB
- Dynamics
- 15.9 dB
- ISRC
- NLF712504440
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Rise Up: driving up-tempo trance, B minor (10A), 142 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 96% of Ferry Corsten's catalogue
- Low end:
- more treble-tilted than 90% of Ferry Corsten's catalogue
- Brightness:
- brighter than 80% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Rise Up in?
Rise Up by Ferry Corsten is in B minor, or 10A on the Camelot wheel.
What BPM is Rise Up?
Rise Up runs at 142 BPM, a driving up-tempo track.
What mixes well with Rise Up?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Rise Up good for peak time?
With energy 94 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 142 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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