Check This Out - Extended Mix
- BPM
- 142
- Half-time
- 71
- Open Key
- 4m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 4:36
- Released
- 2025
- Album
- Check This Out
- Genre
- Progressive Trance
- Loudness
- -5.2 dB
- ISRC
- NLF712505719
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Check This Outoriginal9A · 142
Against the original (9A at 142 BPM), this version holds the same tempo and moves the key from 9A to 11A.
A driving up-tempo progressive trance cut, Check This Out - Extended Mix sits in F♯ minor (11A) at 142 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. More underground than 99% of Ruben de Ronde's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 98% of Ruben de Ronde's catalogue
- Energy:
- hotter than 94% of Ruben de Ronde's catalogue
- Brightness:
- brighter than 80% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Check This Out - Extended Mix in?
Check This Out - Extended Mix by Ruben de Ronde is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Check This Out - Extended Mix?
Check This Out - Extended Mix runs at 142 BPM, a driving up-tempo track.
What mixes well with Check This Out - Extended Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Check This Out - Extended Mix good for peak time?
With energy 98 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 142 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More progressive trance
More from Ruben de Ronde
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.