
World Gone Mad
- BPM
- 142
- Half-time
- 71
- Open Key
- 10d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:08
- Released
- 2007
- Genre
- Trance
- Loudness
- -7.2 dB
- ISRC
- USA560941348
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 142 BPM in E♭ major (5B), World Gone Mad is a driving up-tempo trance production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. More underground than 99% of John O'Callaghan's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 95% of John O'Callaghan's catalogue
- Brightness:
- brighter than 94% of John O'Callaghan's catalogue
- Groove:
- groovier than 93% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is World Gone Mad in?
World Gone Mad by John O'Callaghan is in E♭ major, or 5B on the Camelot wheel.
What BPM is World Gone Mad?
World Gone Mad runs at 142 BPM, a driving up-tempo track.
What mixes well with World Gone Mad?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is World Gone Mad good for peak time?
With energy 97 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 142 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More trance
More from John O'Callaghan
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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