Falcons - John O'Callaghan Remix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 9d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 8:23
- Released
- 2012
- Album
- Falcons
- Genre
- Trance
- Loudness
- -6.8 dB
- Dynamics
- 18.5 dB
- ISRC
- NLE711248701
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Falcons - Extended Mixversion4B · 136
- Falcons - Giuseppe Ottaviani OnAir Mixoriginal4B · 136
- Falcons - Radio Editversion4B · 136
Against the original (4B at 136 BPM), this version runs 4 BPM faster in the same key.
Falcons - John O'Callaghan Remix runs 140 BPM in A♭ major (4B), a driving up-tempo trance record. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). A 2012 production that still circulates in sets. More underground than 99% of Giuseppe Ottaviani's catalogue.
- Low end:
- more treble-tilted than 97% of Giuseppe Ottaviani's catalogue
- Energy:
- hotter than 93% of Giuseppe Ottaviani's catalogue
- Tempo:
- faster than 92% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Falcons - John O'Callaghan Remix in?
Falcons - John O'Callaghan Remix by Giuseppe Ottaviani is in A♭ major, or 4B on the Camelot wheel.
What BPM is Falcons - John O'Callaghan Remix?
Falcons - John O'Callaghan Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Falcons - John O'Callaghan Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Falcons - John O'Callaghan Remix good for peak time?
With energy 98 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 140 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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