Devotion - Extended Mix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 4m
- Energy
- 98/100
- Pop
- 12/100
- Length
- 7:00
- Released
- 2024
- Album
- Devotion
- Genre
- Trance
- Loudness
- -6.5 dB
- Dynamics
- 19.4 dB
- ISRC
- NLD682401651
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Devotionoriginal11A · 140
- Devotion - Cold Blue Remixremix11A · 140
- Devotion - Cold Blue Extended Remixremix11A · 140
Against the original (11A at 140 BPM), this version holds the same tempo in the same key.
Devotion - Extended Mix: driving up-tempo trance, F♯ minor (11A), 140 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). More treble-tilted than 91% of John O'Callaghan's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 88% of John O'Callaghan's catalogue
- Reach:
- better known than 79% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Devotion - Extended Mix in?
Devotion - Extended Mix by John O'Callaghan is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Devotion - Extended Mix?
Devotion - Extended Mix runs at 140 BPM, a driving up-tempo track.
What mixes well with Devotion - Extended Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Devotion - Extended Mix good for peak time?
With energy 98 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 140 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
![Bach To The Future (ASOT 1219) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a93747eed5e02915c12c.webp){kind=small}
More trance
More from John O'Callaghan
Full profile
![Never Fade Away [mix cut] (Giuseppe Ottaviani remix) by John O'Callaghan cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ec1d6fb5f81b29aa34a5.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Can't Stand The Silence [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.