Carry Me Remix - Martin Roth Full On Trance Dub Mix
- BPM
- 140
- Half-time
- 70
- Open Key
- 8m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 7:52
- Released
- 2006
- Album
- Carry Me Remix
- Genre
- Trance
- Loudness
- -5.4 dB
- ISRC
- DEF010600358
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Carry Me Remix - Martin Roth Full On Trance Remixremix4B · 140
- Carry Me Remix - Moonrush Mixremix4B · 136
Carry Me Remix - Martin Roth Full On Trance Dub Mix is a driving up-tempo trance track in B♭ minor (3A) at 140 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. A 2006 production that still circulates in sets. More underground than 99% of Talla 2XLC's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Carry Me Remix - Martin Roth Full On Trance Dub Mix in?
Carry Me Remix - Martin Roth Full On Trance Dub Mix by Talla 2XLC is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Carry Me Remix - Martin Roth Full On Trance Dub Mix?
Carry Me Remix - Martin Roth Full On Trance Dub Mix runs at 140 BPM, a driving up-tempo track.
What mixes well with Carry Me Remix - Martin Roth Full On Trance Dub Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Carry Me Remix - Martin Roth Full On Trance Dub Mix good for peak time?
With energy 97 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Sunday [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
![Follow The Light (ASOT 1190) [Tune Of The Week] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/e2e0ece817c6ca65a5af.webp){kind=small}
How to mix it
In 3A at 140 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
![Beautiful [CC455] (MaRLo Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0266ef5c2fb427621ba6d292a5){kind=small}
More from Talla 2XLC
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.