![Sunday [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp)
Sunday [Mix Cut] - Paul van Dyk Remix
- BPM
- 140
- Half-time
- 70
- Open Key
- 7m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 7:21
- Released
- 2011
- Album
- VONYC Sessions 2011 (Mixed Version)
- Genre
- Trance
- Loudness
- -3.3 dB
- ISRC
- NLF711104469
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sunday - Paul van Dyk Remixremix3B · 140
Sunday [Mix Cut] - Paul van Dyk Remix: driving up-tempo trance, E♭ minor (2A), 140 BPM. The feel is dark and driving. The master is loud and heavily compressed. A 2011 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 91% of Paul van Dyk's catalogue
- Energy:
- hotter than 82% of Paul van Dyk's catalogue
- Tempo:
- faster than 82% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sunday [Mix Cut] - Paul van Dyk Remix in?
Sunday [Mix Cut] - Paul van Dyk Remix by Paul van Dyk is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Sunday [Mix Cut] - Paul van Dyk Remix?
Sunday [Mix Cut] - Paul van Dyk Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Sunday [Mix Cut] - Paul van Dyk Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Sunday [Mix Cut] - Paul van Dyk Remix good for peak time?
With energy 97 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
![Bach To The Future (ASOT 1219) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a93747eed5e02915c12c.webp){kind=small}
How to mix it
In 2A at 140 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
![Follow The Light (ASOT 1190) [Tune Of The Week] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/e2e0ece817c6ca65a5af.webp){kind=small}
More trance
![Beautiful [CC455] (MaRLo Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0266ef5c2fb427621ba6d292a5){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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