Saving Grace - Extended Mix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 3/100
- Length
- 6:37
- Released
- 2022
- Album
- Saving Grace
- Genre
- Trance
- Loudness
- -5.0 dB
- Dynamics
- 9.7 dB
- ISRC
- NLD682200379
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Saving Graceoriginal9B · 140
- Saving Grace - Activa presents Mekk V Remixremix9A · 137
- Saving Grace - Acoustic Mixoriginal9B · 140
- Saving Grace - Element 108 Extended Remixremix9A · 126
- Saving Grace - Activa presents Mekk V Extended Remixremix9A · 137
- Saving Grace - Element 108 Remixremix9A · 126
Against the original (9B at 140 BPM), this version holds the same tempo and moves the key from 9B to 10A.
At 140 BPM in B minor (10A), Saving Grace - Extended Mix is a driving up-tempo trance production. Its spectrum is weighted to the sub and kick, with a heavy low end. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Saving Grace - Extended Mix in?
Saving Grace - Extended Mix by John O'Callaghan is in B minor, or 10A on the Camelot wheel.
What BPM is Saving Grace - Extended Mix?
Saving Grace - Extended Mix runs at 140 BPM, a driving up-tempo track.
What mixes well with Saving Grace - Extended Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Saving Grace - Extended Mix good for peak time?
With energy 96 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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