Saving Grace - Acoustic Mix
- Key
- 9B · G major
- BPM
- 140
- Half-time
- 70
- Open Key
- 2d
- Energy
- 41/100
- Pop
- 2/100
- Length
- 3:50
- Released
- 2022
- Album
- Saving Grace (Remixes)
- Genre
- Trance
- Loudness
- -9.6 dB
- ISRC
- NLD682200703
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Saving Graceoriginal9B · 140
- Saving Grace - Extended Mixversion10A · 140
- Saving Grace - Activa presents Mekk V Remixremix9A · 137
- Saving Grace - Element 108 Extended Remixremix9A · 126
- Saving Grace - Activa presents Mekk V Extended Remixremix9A · 137
- Saving Grace - Element 108 Remixremix9A · 126
Against the original (9B at 140 BPM), this version holds the same tempo in the same key.
Saving Grace - Acoustic Mix is a driving up-tempo trance track in G major (9B) at 140 BPM. Tonally it lands dark and steady. It leans atmospheric over strictly danceable. It is vocal-led. Calmer than 96% of John O'Callaghan's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 93% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Saving Grace - Acoustic Mix in?
Saving Grace - Acoustic Mix by John O'Callaghan is in G major, or 9B on the Camelot wheel.
What BPM is Saving Grace - Acoustic Mix?
Saving Grace - Acoustic Mix runs at 140 BPM, a driving up-tempo track.
What mixes well with Saving Grace - Acoustic Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Saving Grace - Acoustic Mix good for peak time?
With energy 41 out of 100 at 140 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 140 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.