Im Leben bleiben (Teil 2)
- BPM
- 141
- Half-time
- 71
- Open Key
- 9d
- Energy
- 26/100
- Pop
- 1/100
- Length
- 1:31
- Released
- 2019
- Genre
- Trance
- Loudness
- -12.5 dB
- ISRC
- ATB151900422
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Im Leben bleiben (Teil 2): driving up-tempo trance, A♭ major (4B), 141 BPM. Tonally it lands subdued and even. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. Calmer than 99% of Paul van Dyk's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- faster than 94% of Paul van Dyk's catalogue
- Brightness:
- brighter than 78% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Im Leben bleiben (Teil 2) in?
Im Leben bleiben (Teil 2) by Paul van Dyk is in A♭ major, or 4B on the Camelot wheel.
What BPM is Im Leben bleiben (Teil 2)?
Im Leben bleiben (Teil 2) runs at 141 BPM, a driving up-tempo track.
What mixes well with Im Leben bleiben (Teil 2)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Im Leben bleiben (Teil 2) good for peak time?
With energy 26 out of 100 at 141 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
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How to mix it
In 4B at 141 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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