Zurdo in Love
30s preview
- BPM
- 135
- Open Key
- 8d
- Energy
- 24/100
- Pop
- 9/100
- Length
- 1:03
- Released
- 2002
- Genre
- Trance
- Loudness
- -16.2 dB
- Dynamics
- 14.6 dB
- ISRC
- DEQ691400212
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Zurdo in Love is a driving up-tempo trance track in D♭ major (3B) at 135 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2002 production that still circulates in sets. Calmer than 99% of Paul van Dyk's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Paul van Dyk's catalogue
- Low end:
- more treble-tilted than 99% of Paul van Dyk's catalogue
- Brightness:
- darker than 85% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 18%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Zurdo in Love in?
Zurdo in Love by Paul van Dyk is in D♭ major, or 3B on the Camelot wheel.
What BPM is Zurdo in Love?
Zurdo in Love runs at 135 BPM, a driving up-tempo track.
What mixes well with Zurdo in Love?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Zurdo in Love good for peak time?
With energy 24 out of 100 at 135 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Cause You Know [Is This The End] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e028324e7ab7036a8a4f1f12a52){kind=small}
How to mix it
In 3B at 135 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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