Reflections (Spoken Word with ChauKei Ngai)
30s preview
- BPM
- 66
- Double-time
- 132
- Open Key
- 8d
- Energy
- 27/100
- Pop
- 32/100
- Length
- 2:21
- Released
- 2019
- Genre
- Progressive Trance
- Loudness
- -16.4 dB
- Dynamics
- 14.6 dB
- ISRC
- GBEWA1901469
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A progressive trance cut, Reflections (Spoken Word with ChauKei Ngai) sits in D♭ major (3B) at 66 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Slower than 99% of Above & Beyond's catalogue.
- Brightness:
- darker than 99% of Above & Beyond's catalogue
- Groove:
- less groove-driven than 97% of Above & Beyond's catalogue
- Energy:
- calmer than 93% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Reflections (Spoken Word with ChauKei Ngai) in?
Reflections (Spoken Word with ChauKei Ngai) by Above & Beyond is in D♭ major, or 3B on the Camelot wheel.
What BPM is Reflections (Spoken Word with ChauKei Ngai)?
Reflections (Spoken Word with ChauKei Ngai) runs at 66 BPM.
What mixes well with Reflections (Spoken Word with ChauKei Ngai)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Reflections (Spoken Word with ChauKei Ngai) good for peak time?
With energy 27 out of 100 at 66 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 66 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 62-70 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 66 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 66 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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