Code 10-66
- BPM
- 69
- Double-time
- 138
- Open Key
- 6m
- Energy
- 25/100
- Pop
- 2/100
- Length
- 2:47
- Released
- 2016
- Album
- Watch The World
- Genre
- Trance
- Loudness
- -15.9 dB
- ISRC
- NLE711600158
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Code 10-66original1A · 78
Code 10-66 runs 69 BPM in A♭ minor (1A), a trance record. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Calmer than 99% of Markus Schulz's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Markus Schulz's catalogue
- Groove:
- less groove-driven than 99% of Markus Schulz's catalogue
- Brightness:
- darker than 98% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Code 10-66 in?
Code 10-66 by Markus Schulz is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Code 10-66?
Code 10-66 runs at 69 BPM.
What mixes well with Code 10-66?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Code 10-66 good for peak time?
With energy 25 out of 100 at 69 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 69 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 65-73 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 69 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 69 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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