![Only A Few Things [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp)
Only A Few Things [feat. Zoë Johnston]
30s preview
- BPM
- 70
- Double-time
- 140
- Open Key
- 8d
- Energy
- 14/100
- Pop
- 0/100
- Length
- 5:03
- Released
- 2011
- Genre
- Progressive Trance
- Loudness
- -15.9 dB
- Dynamics
- 15.6 dB
- ISRC
- GBEWA1100283
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Only A Few Things - Nourey Extended Mixversion3B · 125
- Only A Few Things - Nourey Remixremix3B · 125
A progressive trance cut, Only A Few Things [feat. Zoë Johnston] sits in D♭ major (3B) at 70 BPM. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2011 production that still circulates in sets. Slower than 99% of Above & Beyond's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Above & Beyond's catalogue
- Energy:
- calmer than 97% of Above & Beyond's catalogue
- Groove:
- less groove-driven than 96% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Only A Few Things [feat. Zoë Johnston] in?
Only A Few Things [feat. Zoë Johnston] by Above & Beyond is in D♭ major, or 3B on the Camelot wheel.
What BPM is Only A Few Things [feat. Zoë Johnston]?
Only A Few Things [feat. Zoë Johnston] runs at 70 BPM.
What mixes well with Only A Few Things [feat. Zoë Johnston]?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Only A Few Things [feat. Zoë Johnston] good for peak time?
With energy 14 out of 100 at 70 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 70 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 66-74 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 70 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 70 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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