Rain - FERR by Ferry Corsten Rework
- BPM
- 135
- Open Key
- 3m
- Energy
- 13/100
- Pop
- 19/100
- Length
- 4:10
- Released
- 2021
- Album
- Rain (FERR by Ferry Corsten Rework)
- Genre
- Trance
- Loudness
- -22.7 dB
- ISRC
- NLF712102315
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo trance cut, Rain - FERR by Ferry Corsten Rework sits in B minor (10A) at 135 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 99% of Ferry Corsten's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 96% of Ferry Corsten's catalogue
- Energy:
- calmer than 95% of Ferry Corsten's catalogue
- Reach:
- better known than 93% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rain - FERR by Ferry Corsten Rework in?
Rain - FERR by Ferry Corsten Rework by Ferry Corsten is in B minor, or 10A on the Camelot wheel.
What BPM is Rain - FERR by Ferry Corsten Rework?
Rain - FERR by Ferry Corsten Rework runs at 135 BPM, a driving up-tempo track.
What mixes well with Rain - FERR by Ferry Corsten Rework?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Rain - FERR by Ferry Corsten Rework good for peak time?
With energy 13 out of 100 at 135 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
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How to mix it
In 10A at 135 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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