Temporality
30s preview
- BPM
- 136
- Open Key
- 7m
- Energy
- 8/100
- Pop
- 0/100
- Length
- 5:13
- Released
- 2025
- Album
- Piano
- Genre
- Trance
- Loudness
- -22.1 dB
- Dynamics
- 17.6 dB
- ISRC
- NLF712505229
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Temporality runs 136 BPM in E♭ minor (2A), a driving up-tempo trance record. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Calmer than 99% of Armin van Buuren's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Armin van Buuren's catalogue
- Groove:
- less groove-driven than 95% of Armin van Buuren's catalogue
- Brightness:
- darker than 89% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 43%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is Temporality in?
Temporality by Armin van Buuren is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Temporality?
Temporality runs at 136 BPM, a driving up-tempo track.
What mixes well with Temporality?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Temporality good for peak time?
With energy 8 out of 100 at 136 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 136 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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