Power of Now - Acoustic Mix
30s preview
- BPM
- 138
- Open Key
- 10d
- Energy
- 26/100
- Pop
- 7/100
- Length
- 2:46
- Released
- 2023
- Album
- Power of Now
- Genre
- Trance
- Loudness
- -13.1 dB
- Dynamics
- 17.7 dB
- ISRC
- NLD682302533
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Power of Noworiginal5A · 140
- Power of Now - Extended Mixversion4A · 140
Against the original (5A at 140 BPM), this version runs 2 BPM slower and moves the key from 5A to 5B.
At 138 BPM in E♭ major (5B), Power of Now - Acoustic Mix is a driving up-tempo trance production. The feel is brooding and low-slung. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Calmer than 98% of John O'Callaghan's catalogue.
- Groove:
- less groove-driven than 97% of John O'Callaghan's catalogue
- Low end:
- more treble-tilted than 97% of John O'Callaghan's catalogue
- Brightness:
- darker than 90% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Power of Now - Acoustic Mix in?
Power of Now - Acoustic Mix by John O'Callaghan is in E♭ major, or 5B on the Camelot wheel.
What BPM is Power of Now - Acoustic Mix?
Power of Now - Acoustic Mix runs at 138 BPM, a driving up-tempo track.
What mixes well with Power of Now - Acoustic Mix?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Power of Now - Acoustic Mix good for peak time?
With energy 26 out of 100 at 138 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 138 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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