On a Good Day (Metropolis) (edit)
- BPM
- 136
- Open Key
- 7m
- Energy
- 18/100
- Pop
- 0/100
- Length
- 4:26
- Released
- 2010
- Genre
- Trance
- Loudness
- -11.7 dB
- ISRC
- GBEWA1000363
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo trance cut, On a Good Day (Metropolis) (edit) sits in E♭ minor (2A) at 136 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. Calmer than 99% of Gareth Emery's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Gareth Emery's catalogue
- Groove:
- less groove-driven than 92% of Gareth Emery's catalogue
- Brightness:
- darker than 92% of Gareth Emery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is On a Good Day (Metropolis) (edit) in?
On a Good Day (Metropolis) (edit) by Gareth Emery is in E♭ minor, or 2A on the Camelot wheel.
What BPM is On a Good Day (Metropolis) (edit)?
On a Good Day (Metropolis) (edit) runs at 136 BPM, a driving up-tempo track.
What mixes well with On a Good Day (Metropolis) (edit)?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is On a Good Day (Metropolis) (edit) good for peak time?
With energy 18 out of 100 at 136 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 136 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
More from Gareth Emery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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