Don't Let It End - Chill Mix
30s preview
- Key
- 9B · G major
- BPM
- 134
- Open Key
- 2d
- Energy
- 30/100
- Pop
- 4/100
- Length
- 3:10
- Released
- 2021
- Album
- Don’t Let It End (Chill Mix)
- Genre
- Progressive Trance
- Loudness
- -7.9 dB
- Dynamics
- 12.6 dB
- ISRC
- NLE712100098
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Let It End - Darren Porter Remixremix10A · 136
- Don't Let It End - Darren Porter Extended Remixremix10A · 136
- Don't Let It Endoriginal9A · 128
- Don't Let It End - Extended Mixversion10A · 128
Don't Let It End - Chill Mix is a peak-time tempo progressive trance track in G major (9B) at 134 BPM. It reads as brooding and low-slung. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 99% of Oliver Smith's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 94% of Oliver Smith's catalogue
- Reach:
- more underground than 85% of Oliver Smith's catalogue
- Tempo:
- faster than 83% of Oliver Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Don't Let It End - Chill Mix in?
Don't Let It End - Chill Mix by Oliver Smith is in G major, or 9B on the Camelot wheel.
What BPM is Don't Let It End - Chill Mix?
Don't Let It End - Chill Mix runs at 134 BPM, a peak-time tempo track.
What mixes well with Don't Let It End - Chill Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Don't Let It End - Chill Mix good for peak time?
With energy 30 out of 100 at 134 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 134 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More progressive trance
More from Oliver Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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