Memory #3
30s preview
- BPM
- 67
- Double-time
- 134
- Open Key
- 5m
- Energy
- 19/100
- Pop
- 0/100
- Length
- 7:30
- Released
- 2025
- Genre
- Progressive House
- Loudness
- -14.4 dB
- Dynamics
- 13.5 dB
- ISRC
- GBEWA2503205
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Memory #3 runs 67 BPM in D♭ minor (12A), a progressive house record. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Calmer than 99% of PROFF's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of PROFF's catalogue
- Groove:
- less groove-driven than 99% of PROFF's catalogue
- Brightness:
- darker than 99% of PROFF's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Memory #3 in?
Memory #3 by PROFF is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Memory #3?
Memory #3 runs at 67 BPM.
What mixes well with Memory #3?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Memory #3 good for peak time?
With energy 19 out of 100 at 67 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
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How to mix it
In 12A at 67 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 63-71 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 67 — beatmatch without a big tempo pull.
More progressive house
More from PROFF
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 67 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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