We Will Return
- BPM
- 65
- Double-time
- 130
- Open Key
- 11d
- Energy
- 17/100
- Pop
- 0/100
- Length
- 4:08
- Released
- 2011
- Genre
- Progressive Trance
- Loudness
- -13.8 dB
- ISRC
- GBEWA1100437
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A progressive trance cut, We Will Return sits in B♭ major (6B) at 65 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. Slower than 99% of Andrew Bayer's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Andrew Bayer's catalogue
- Energy:
- calmer than 98% of Andrew Bayer's catalogue
- Groove:
- less groove-driven than 98% of Andrew Bayer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Will Return in?
We Will Return by Andrew Bayer is in B♭ major, or 6B on the Camelot wheel.
What BPM is We Will Return?
We Will Return runs at 65 BPM.
What mixes well with We Will Return?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is We Will Return good for peak time?
With energy 17 out of 100 at 65 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 65 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 61-69 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 65 — beatmatch without a big tempo pull.
More progressive trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 65 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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