Don’t Leave (Spoken Word with Veronica Blume)
30s preview
- Key
- 7B · F major
- BPM
- 63
- Double-time
- 126
- Open Key
- 12d
- Energy
- 9/100
- Pop
- 26/100
- Length
- 2:43
- Released
- 2020
- Genre
- Progressive Trance
- Loudness
- -24.6 dB
- Dynamics
- 16.4 dB
- ISRC
- GBEWA1901982
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A progressive trance cut, Don’t Leave (Spoken Word with Veronica Blume) sits in F major (7B) at 63 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Calmer than 99% of Above & Beyond's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Above & Beyond's catalogue
- Low end:
- more bass-heavy than 95% of Above & Beyond's catalogue
- Groove:
- less groove-driven than 94% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Don’t Leave (Spoken Word with Veronica Blume) in?
Don’t Leave (Spoken Word with Veronica Blume) by Above & Beyond is in F major, or 7B on the Camelot wheel.
What BPM is Don’t Leave (Spoken Word with Veronica Blume)?
Don’t Leave (Spoken Word with Veronica Blume) runs at 63 BPM.
What mixes well with Don’t Leave (Spoken Word with Veronica Blume)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Don’t Leave (Spoken Word with Veronica Blume) good for peak time?
With energy 9 out of 100 at 63 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 63 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 59-67 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 63 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 63 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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