Last Supper - Oxford Suite Pt. 1
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 19/100
- Pop
- 20/100
- Length
- 6:27
- Released
- 2024
- Genre
- Progressive House
- Loudness
- -18.8 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in A minor (8A), Last Supper - Oxford Suite Pt. 1 is a club-tempo progressive house production. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 96% of Sasha's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 93% of Sasha's catalogue
- Brightness:
- darker than 87% of Sasha's catalogue
- Reach:
- better known than 84% of Sasha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Last Supper - Oxford Suite Pt. 1 in?
Last Supper - Oxford Suite Pt. 1 by Sasha is in A minor, or 8A on the Camelot wheel.
What BPM is Last Supper - Oxford Suite Pt. 1?
Last Supper - Oxford Suite Pt. 1 runs at 124 BPM, a club-tempo track.
What mixes well with Last Supper - Oxford Suite Pt. 1?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Last Supper - Oxford Suite Pt. 1 good for peak time?
With energy 19 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Static Sky (Ambient Mix) [Edit] by Hernan Cattaneo cover art](https://i.scdn.co/image/ab67616d00001e021bcd824b96638e5905d674fa){kind=small}
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Sasha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
