Left Unsaid
- BPM
- 122
- Open Key
- 8d
- Energy
- 30/100
- Pop
- 25/100
- Length
- 2:17
- Released
- 2025
- Genre
- Deep House
- Loudness
- -15.5 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Left Unsaid is a club-tempo deep house track in D♭ major (3B) at 122 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 99% of Jan Blomqvist's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 96% of Jan Blomqvist's catalogue
- Tempo:
- slower than 78% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Left Unsaid in?
Left Unsaid by Jan Blomqvist is in D♭ major, or 3B on the Camelot wheel.
What BPM is Left Unsaid?
Left Unsaid runs at 122 BPM, a club-tempo track.
What mixes well with Left Unsaid?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Left Unsaid good for peak time?
With energy 30 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
