Moses - Stimming Remix
30s preview
- Key
- 7A · D minor
- BPM
- 122
- Open Key
- 12m
- Energy
- 32/100
- Pop
- 20/100
- Length
- 8:08
- Released
- 2010
- Album
- Moses
- Genre
- Deep House
- Label
- BPitch Control
- Loudness
- -14.2 dB
- Dynamics
- 14.9 dB
- ISRC
- DEAE61000939
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mosesoriginal10B · 122
- Moses - Funke's Bonus Mixoriginal11B · 125
Against the original (10B at 122 BPM), this version holds the same tempo and moves the key from 10B to 7A.
A club-tempo deep house cut, Moses - Stimming Remix sits in D minor (7A) at 122 BPM. It reads as subdued and even. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2010 production that still circulates in sets. Groovier than 96% of Nina Kraviz's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 85% of Nina Kraviz's catalogue
- Reach:
- better known than 82% of Nina Kraviz's catalogue
- Brightness:
- brighter than 75% of Nina Kraviz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Moses - Stimming Remix in?
Moses - Stimming Remix by Nina Kraviz is in D minor, or 7A on the Camelot wheel.
What BPM is Moses - Stimming Remix?
Moses - Stimming Remix runs at 122 BPM, a club-tempo track.
What mixes well with Moses - Stimming Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Moses - Stimming Remix good for peak time?
With energy 32 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 122 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
